#

35mm

A - B

Achromatic LensAdobe RGBAF Area ModesAmbient LightAnamorphic LensApertureAperture PriorityApochromatic LensAPS-C SensorAre, Bure, BokeAspect RatioAspherical LensAtmospheric PerspectiveAuto Exposure Bracketing (AEB)AutofocusAuto ISOAVIFBack-Button FocusBacklightingBalanceBarrel DistortionBase ISOBayer FilterBeauty DishBit DepthBlack and White ConversionBloomBlue HourBokehBounce FlashBracketingBroad and Short LightingBulb ModeBurst ModeButterfly Lighting

C - D

Camera ShakeCatchlightCCD SensorCenter-Weighted MeteringChiaroscuroChromatic AberrationCircle of ConfusionClamshell LightingClarityClippingCMOS SensorColor CastColor CorrectionColor GamutColor GelColor GradingColor HarmonyColor SpaceColor TemperatureColor WheelComplementary ColorsCompositionComputational PhotographyContinuous Autofocus (AF-C)Continuous LightingContrastContrast Detection AutofocusCopyrightCrop FactorCroppingCullingCurvesDecisive MomentDehazeDepth of FieldDiagonal LinesDiffractionDigital vs Optical ZoomDodging and BurningDouble ExposureDPI vs PPIDrive ModeDSLR (Digital Single-Lens Reflex)Dual Native ISODutch AngleDynamic Range

E - F

Evaluative MeteringEXIFExpose to the Right (ETTR)ExposureExposure CompensationExposure LatitudeExposure Lock (AE-L)Exposure StopExposure TriangleExposure Value (EV)Eye AFField of ViewFigure-GroundFill FlashFill LightFill the FrameFilm PhotographyFisheyeFlashFocal LengthFocal PointFocusFocus BreathingFocus PeakingFocus StackingForced PerspectiveForeground InterestFramingFront/Rear Curtain SyncF-StopFull-Frame Sensor

G - H

Golden HourGolden RatioGrainGray CardGuide NumberHair LightHalationHalideHard and Soft LightHeadroomHEICHigh Angle and Low AngleHigh Dynamic Range (HDR)High-Key PhotographyHighlight Alert (Blinkies)Highlights and ShadowsHigh-Speed Sync (HSS)HistogramHorizon LineHot ShoeHue, Saturation, and ValueHyperfocal Distance

I - J

IBIS (In-Body Image Stabilization)ICC ProfileImage Stabilization (IS)Incident Light MeteringInfrared photographyIntervalometerInverse Square LawIPTCISOISO InvarianceJPEGJuxtaposition

K - L

Key LightLayeringLeading LinesLead RoomLens AdapterLens CompressionLens CorrectionLens FlareLens HoodLevelsLight MeterLive ViewLong ExposureLoop LightingLow-Key Photography

M - N

Macro LensManual FocusManual ModeMaskingMaximum ApertureMedium FormatMegapixelMeteringMicro Four ThirdsMiddle GrayMidtonesMinimalismMirrorless CameraModel ReleaseMonochromeMotion BlurNatural LightNegative SpaceNeutral Density (ND) FilterNight ModeNoiseNoise ReductionNon-Destructive EditingNormal Lens

O - P

Off-Camera FlashOverexposureP3PanningPanoramaPattern and RepetitionPerspective CorrectionPhase Detection AutofocusPincushion DistortionPixel BinningPoint of ViewPolarizing FilterPortrait ModePresetsPrime LensProgram ModeProPhoto RGBProRAWPush Processing

Q - R

RangefinderRAW FormatReciprocal RuleRed EyeReflectorRembrandt LightingRim LightRule of OddsRule of Thirds

S - T

SaturationSense of ScaleSensorSharpeningShutter PriorityShutter SpeedSilhouetteSingle Autofocus (AF-S)Slide FilmSnootSoftboxSoft ProofingSplit LightingSpot MeteringsRGBStacked SensorStrobeSubject Detection AFSunny 16 RuleSymmetryTeleconverterTelephoto LensTextureThree-Point LightingThrough-The-Lens (TTL) MeteringTIFFTilt-Shift LensTime-lapseTonal ContrastTripod

U - V

UmbrellaUnderexposureUV FilterVanishing PointVibranceViewfinderVignettingVisual HierarchyVisual Weight

W - X

Warm and Cool TonesWhite BalanceWhite PointWide-Angle LensXMP

Y - Z

Zebra StripesZenith PhotographyZone FocusingZone SystemZoom LensZoom Ratio